Synopsis:

Hanna is no stranger to dark thoughts: as a young child, she tried to murder her own mother. But that was more than sixteen years ago. And extensive therapy—and writing letters to her younger brother—has since curbed those nasty tendencies.

Now twenty-four, Hanna is living an outwardly normal life of domestic content. Married to real estate agent Jacob, she’s also stepmother to his teenage daughter Joelle. They live in a beautiful home, and Hanna loves her career as a phlebotomist—a job perfectly suited to her occasional need to hurt people.

But when Joelle begins to change in ways that don’t suit Hanna’s purposes, her carefully planned existence threatens to come apart. With life slipping out of her control, Hanna reverts to old habits, determined to manipulate the events and people around her. And the only thing worse than a baby sociopath is a fully grown one.

With its dark humor and chillingly seductive protagonist, Dear Hanna is a stand-alone sequel sure to thrill returning and new readers alike.

Why this caught my eye:

The author’s name on this one caught my attention, I knew I recognized her. I read her other book a few years ago, Baby Teeth. If interested, my review on it is HERE. I remember enjoying the way the author writes and being really entertained by the book, even if it had flaws that affected how I rated it. Since Hanna was the only character I found sympathetic in Baby Teeth, I would love to see what Hanna is up to now. Like I said in my review of Baby Teeth, we all know how these books go. You know it, I know it. We’re reading to see how things fall apart.

Synopsis:

In a city addled by climate change and populated by intelligent robots called “hums,” May loses her job to artificial intelligence. In a desperate bid to resolve her family’s debt and secure their future for another few months, she becomes a guinea pig in an experiment that alters her face so it cannot be recognized by surveillance.

Seeking some reprieve from her recent hardships and from her family’s addiction to their devices, she splurges on passes that allow them three nights’ respite inside the Botanical Garden: a rare green refuge where forests, streams, and animals flourish. But her insistence that her son, daughter, and husband leave their devices at home proves far more fraught than she anticipated, and the lush beauty of the Botanical Garden is not the balm she hoped it would be. When her children come under threat, May is forced to put her trust in a hum of uncertain motives as she works to restore the life of her family.

Written in taut, urgent prose, Hum is a work of speculative fiction that unflinchingly explores marriage, motherhood, and selfhood in a world compromised by global warming and dizzying technological advancement, a world of both dystopian and utopian possibilities. 

Why this caught by eye:

I’m a fan of speculative fiction and science fiction. AI is the threat du jour at the moment and the media is all a flutter about the future of the technology. Admittedly it makes me a little bit nervous too, science fiction has an uncanny habit of predicting the future that I find disturbing. Anyway! This synopsis sounds really intriguing and I can’t wait to get it on my shelf.

Synopsis:

A powerful memoir that reckons with mental health as well as the insidious ways men impact the lives of women.

In early 2021, popular artist Anna Marie Tendler checked herself into a psychiatric hospital following a year of crippling anxiety, depression and self-harm. Over two weeks, she underwent myriad psychological tests, participated in numerous therapy sessions, connected with fellow patients and experienced profound breakthroughs, such as when a doctor noted, “There is a you inside that feels invisible to those looking at you from the outside.”

In Men Have Called Her Crazy, Tendler recounts her hospital experience as well as pivotal moments in her life that preceded and followed. As the title suggests, many of these moments are impacted by men: unrequited love in high school; the twenty-eight-year-old she lost her virginity to when she was sixteen; the frustrations and absurdities of dating in her mid-thirties; and her decision to freeze her eggs as all her friends were starting families.

This stunning literary self-portrait examines the unreasonable expectations and pressures women face in the 21st century. Yet overwhelming and despairing as that can feel, Tendler ultimately offers a message hope. Early in her stay in the hospital, she says, “My wish for myself is that one day I’ll reach a place where I can face hardship without trying to destroy myself.” By the end of the book, she fulfills that wish.

Why this caught my eye:

Historically mental heath has been turned into a weapon, used to take advantage of people and render them insignificant. Don’t listen to that person, they’re crazy! Oh, don’t bother so-and-so with that, they’re fragile and not well in the head! While this is true at scale it is particularly true of women. Mental health has often been used as a weapon against troublesome women. So the fact that this is the subject of this memoir was interesting to me. I am a bit familiar with the author’s art and had heard through the media grapevine about her mental health struggles. This seems like it will be an interesting and enlightening memoir.