On an ordinary summer morning, the world is changed by the appearance of seven mysterious doors that seemingly lead to another world. People are, of course, mesmerized and intrigued: A new dimension filled with beauty and resources beckons them to step into an adventure. But, perhaps inevitably, people soon learn that what looks like paradise may very well be filled with danger.
Ayanna and Olivia, two Black Midwestern teens—and twin sisters—have different ideas of what may lie in the world beyond. But will their personal bond endure such wanton exploration? And when one of them goes missing, will the other find solace of her own? And will she uncover the circumstances of what truly happened to her once constant companion and best friend?
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Based on the synopsis I wanted to love this book. It had all the makings of a book that was right up my alley. And in the first portion of the book, it seemed hopeful. I was absolutely riveted by the description of the doors and how various portions of humanity interacted with these doors.
It all came to a halt once Ayanna and Olivia went through the door. Initially it got very confusing. I read a few chapters several times in a row because I couldn’t figure out what had happened and where I missed it, I never found the missing piece. And then the plot just stopped. No more mention of the doors. The only thing that happened after that point was Ayanna navel gazing about her all consuming grief.
In the end I gave up about halfway through. Nothing was happened and I have other things to do and other books to read.
An unprecedented condition is on the rise. It behaves like a virus, with the first symptom being a fever, but those who contract it experience long-term effects no one has ever seen; utter contentment. Soon after infection, people find the stress, depression, greed, and other negative feelings that used to weigh them down are gone.
Almost everyone revels in this mass unburdening. But people in power—who depend on malcontents tuning into their broadcasts, prey on the insecure to sell their products, and convince people they need more, new, faster, better everything—know this new state of being is bad for business. Soon, campaigns start up convincing people that being happy all the time is dangerous. There’s even a vaccine developed to rid people of their inner peace and get them back to normal because, surely, without anger or jealousy as motivators, productivity will grind to a halt and the world will be thrown into chaos.
It’s nearly impossible to determine the truth when everyone with a platform is pushing their own agendas, and two teens from very different backgrounds who’ve had their lives upended in different ways by the virus find themselves enmeshed in the center of a dangerous power play. Can they reveal the truth?
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When I read the synopsis for this book I was interested, but wary. Given the fact that it was published in 2025, it had the capacity to be very preachy about any and all things COVID19. But, Neal Shusterman is an author that has earned by trust in taking topics that could be preachy but are not while in his capable hands. So I dove in and I loved this book.
It was such a unique concept. What would society do with a virus that seems to make your life better? Sure, you still might die from the virus. But if you don’t, you’ll just be blissfully content and at ease with the world. What does society do with something like that? How would different categories of humans react?
In this book, Shusterman explores all of these possible reactions. You have a kid who is desperately depressed and figures that even if he dies from the virus, he’s still better off than he is now so, why not get it? There are people who are desperate to avoid infection because they can’t imagine a world where their emotions are limited in such a way against their will. There are people who have made their fortunes by being ruthless and uncaring about their fellow humans, and now need to make provisions about what will happen to their assets if they get this virus and suddenly feel altruistic. You have people who are so blissfully happy that they feel everyone in the world should get the virus.
Now take all of these stories and focus on 3-4 of the best ones and you end up with this book. I really enjoyed every single storyline and could easily imagine that these are real reactions of real people. I loved it. My only complaint on the character side was that a few of them were desperately annoying, even though their story was interesting. I didn’t really connect with any of the characters either, they were more of a vehicle for the plot than anything else.
It ends on a cliffhanger…of sorts, and there is a 2nd book due to be published at some point in the future. I look forward to seeing where else this story can go because this was a fun ride. I really enjoy how Neal Shusterman’s brain works, he is an automatic read for me these days.
In 2088, humankind is at last ready to explore beyond Earth’s solar system. But one uncertainty remains: Where do we go?
Astrophysicist Reggie Straifer has an idea. He’s discovered an anomalous star that appears to defy the laws of physics, and proposes the creation of a deep-space mission to find out whether the star is a weird natural phenomenon, or something manufactured.
The journey will take eons. In order to maintain the genetic talent of the original crew, humankind’s greatest ambition—to explore the furthest reaches of the galaxy—is undertaken by clones. But a clone is not a perfect copy, and each new generation has its own quirks, desires, and neuroses. As the centuries fly by, the society living aboard the nine ships (designated “Convoy Seven”) changes and evolves, but their mission remains the same: to reach Reggie’s mysterious star and explore its origins—and implications.
A mosaic novel of discovery, Noumenon—in a series of vignettes—examines the dedication, adventure, growth, and fear of having your entire world consist of nine ships in the vacuum of space. The men and women, and even the AI, must learn to work and live together in harmony, as their original DNA is continuously replicated and they are born again and again into a thousand new lives. With the stars their home and the unknown their destination, they are on a voyage of many lifetimes—an odyssey to understand what lies beyond the limits of human knowledge and imagination.
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I came to read this book in a somewhat interesting way. I was given an ARC for the 3rd book in the series, which I accepted without being aware that it was the 3rd book in a series. Once I started reading it, I realized that I needed more backstory for this one and I didn’t think it was fair to read and rate the ARC copy if I wasn’t familiar with the series.
Which brings me to reading this book, the first in the series. Surprisingly this one was a difficult one for me to rate and equally difficult to review. There were some parts of this book that I felt deserved 5 stars. And some parts that deserved 1 or 2. So, a 3 star overall rating seems fair. This is definitely not a hard science fiction book, if you’re looking for one of those then move on to the next one. It’s more fair to call this one a character study in space. Which I liked!
The most interesting portions of this book were the AI system for me. It was compelling and riveting and I wanted to see how the storyline developed. Frankly, I would have sacrificed a lot of the other storylines that weren’t nearly as interesting if we could spend more time with the AI. It was such an interesting problem. You have an intelligent AI system that watches generation after generation of humans (who it is programmed to care about and take care of) pass away and be replaced by another clone of that person, who is the same but not really the same. How can an AI grieve when the ones that are lost are still there? But also not there? I loved that so much and it was my favorite part of the book.
Unfortunately, because of the writing style there was a lot of jumping around with no warning. All of sudden you’re in the middle of a mutiny situation. Then just as suddenly we’ve arrived at the star system and completed 20 years of observation and we’re going home. Then we’re all having an identity crisis on why Earth feels like home even though it shouldn’t. Big, big time jumps between the vignettes and I felt like we lost a lot of great potential story in the middle. I also had a hard time becoming attached to any of the characters because they were going to be replaced by their next clone shortly, and I might not hear from them again until 200 years and 40 clones later.
Honestly, I was kind of surprised that in the course of 1 book we made a thousand year journey to the stars, 20 years of study, 1000 years back to earth, and then time on earth. It’s A LOT. I felt like just the journey to the star system could have covered an entire book. As such, it felt like the story remained very surface level because there was just too much material for 420 pages.
Overall I enjoyed the book and will continue to the next one, but with some reservations.
All the Water in the World is told in the voice of a girl gifted with a deep feeling for water. In the years after the glaciers melt, Nonie, her older sister and her parents and their researcher friends have stayed behind in an almost deserted New York City, creating a settlement on the roof of the American Museum of Natural History. The rule: Take from the exhibits only in dire need. They hunt and grow their food in Central Park as they work to save the collections of human history and science. When a superstorm breaches the city’s flood walls, Nonie and her family must escape north on the Hudson. They carry with them a book that holds their records of the lost collections. Racing on the swollen river towards what may be safety, they encounter communities that have adapted in very different and sometimes frightening ways to the new reality. But they are determined to find a way to make a new world that honors all they’ve saved.
Inspired by the stories of the curators in Iraq and Leningrad who worked to protect their collections from war, All the Water in the World is both a meditation on what we save from collapse and an adventure story—with danger, storms, and a fight for survival.
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My reading is not off to a good start this year. Most of the books I’ve read haven’t been very good, so I wanted to grab a dystopian novel about a family working to save exhibits in a museum from a flooded world. Unfortunately, this one was just not good.
The main narrator, Nonie, is completely flat and devoid of any emotion. Her tone and temperament don’t really change throughout the story, no matter what action packed or traumatic events are taking place around her. It made it difficult to connect with the story because the narrator was entirely disconnected from it. I’m not sure if this was done on purpose or not, but it was a bad choice. I wanted to feel something for these people. I wanted to feel something about what they were experiencing. But I couldn’t. Because Nonie didn’t.
The narrative felt very fractured. We switch back and forth from the present to the past, but all of it is written exactly the same and in the same past tense tone. So it was really difficult to determine when we were flashing back to the past and when we were in the present. Or perhaps all of the book was in the past and being told as a memory. I have no idea. It was very confusing and I got tired of trying to follow it. Eventually I just tuned out because I couldn’t keep up.
As a side note, I don’t understand what the point was of Nonie’s “superpower”. She has a “deep connection” to water. But the book doesn’t really explore this at all. It’s mentioned once in the beginning of the book, and once at the end. That’s it. We don’t explore it or discuss it at all. So, what was the point?
Unfortunately this book is a case of lots of potential that wasn’t realized. Which is disappointing.
A computer program etched into the atmosphere has a story to tell, the story of two people, of a city lost to chaos, of survival and love. The program’s data, however, has been corrupted. As the novel’s characters struggle to survive apocalypse, they are sustained and challenged by the demands of love in a shattered world both haunted and dangerous.
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The best word I can use to describe this book is ambitious. The idea is a really big idea that would be difficult for even the most experienced writer to handle. This came to my attention as an audiobook offering from my library, the blurb intrigued me and so I listened. And honestly, the entire book made me feel like I’d taken a large amount of hallucinogenic drugs.
Essentially, this book is about a computer program that lost its mate. It’s attempting to reconstruct the story of how that happened. And we follow the program through a series of glitches that bring us the same two characters (ostensibly the portrayals of the two computer programs) and put them in varying scenarios before the program glitches again and those characters are recreated as something else. And when I say they become different characters, I really mean that. They switch genders, ages, races, sexualities, motivations, and circumstances. We go from being heterosexual lovers, to gay lovers, to siblings, to parent and child, to a long time couple that has become more of a caretaking situation than a romance, etc. While I found it interesting at first, ultimately it just got very confusing. I could only track the two main characters thanks to the fact that they had similar enough names to track them through these varying tales. Consequently, I found that I didn’t really care about the two characters that much. They were going to be completely different people in just a few pages, and then I’d barely get a chance to know them before they changed again.
I was hoping that we’d slowly get some sort of overarching story that would bind these narratives together. And it started to form by the time I got to the middle, but I tuned out after that. I was lost and my brain was tired of trying to figure out who everyone was all the time. Other reviews tell me that we get a conclusion but I didn’t pay attention to it. The writing is very good but the story was just too messy for me to care about.
A magisterial new novel from the Pulitzer Prize–winning and New York Times best-selling author of The Overstory and Bewilderment.
Four lives are drawn together in a sweeping, panoramic new novel from Richard Powers, showcasing the Pulitzer Prize–winning author of The Overstory at the height of his skills. Twelve-year-old Evie Beaulieu sinks to the bottom of a swimming pool in Montreal strapped to one of the world’s first aqualungs. Ina Aroita grows up on naval bases across the Pacific with art as her only home. Two polar opposites at an elite Chicago high school bond over a three-thousand-year-old board game; Rafi Young will get lost in literature, while Todd Keane’s work will lead to a startling AI breakthrough.
They meet on the history-scarred island of Makatea in French Polynesia, whose deposits of phosphorus once helped to feed the world. Now the tiny atoll has been chosen for humanity’s next adventure: a plan to send floating, autonomous cities out onto the open sea. But first, the island’s residents must vote to greenlight the project or turn the seasteaders away.
Set in the world’s largest ocean, this awe-filled book explores that last wild place we have yet to colonize in a still-unfolding oceanic game, and interweaves beautiful writing, rich characterization, profound themes of technology and the environment, and a deep exploration of our shared humanity in a way only Richard Powers can.
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This book drew me in months ago with its beautiful cover. The reef, the colors, the manta ray, all of it was gorgeous. Anyone who reads my reviews knows that I am a sucker for a pretty cover. I was also intrigued by the synopsis of this book. This seems to be a trend in literary fiction at the moment. To use individual stories to weave together a larger story. This book does it very well.
I genuinely enjoyed all of the characters and all of their narratives. I felt empathy and compassion for them, I understood their motives and I wanted to cheer them on. Rafi and Todd were the highlights though. Their stories were intertwined from the beginning. I loved watching them bond over their games, and their competitive natures sometimes at odds with their friendship. It was deep and genuine. I hoped that they would remain friends forever, but I also recognized that eventually their differences would probably drive them apart.
The stories were also well done, albeit slow to advance sometimes. This was, perhaps, one of the only drawbacks to this book is that the plot started to drag a little in the middle. I wanted the story to get moving and it just didn’t happen for awhile. But when it did, it took me in a place that I never expected. I found the weaving of humans and their love of play very charming. The theme of playfulness is woven into every line of this book, and it’s wonderful. Up until one specific sentence I was fully prepared to give this book 3 stars and talk about how I enjoyed it, but it just moved too slowly.
One specific line that Rafi emailed to Todd. My jaw dropped to the floor. I could not believe it. I never expected a twist in this book, and I never imagined the twist to encompass one singular line. All at once the entire trajectory of the book was different. Not just the trajectory of the book though, it changed the entire premise of the beginning of the book too. I was glued to this book from that moment. I couldn’t stop listening. It was truly masterful. I’ve read a lot of books where the author attempts to do what Powers did, but none have done it as smoothly and perfectly as he did.
I can’t recommend this book enough. It’s beautiful. It’s tragic. It’s hopeful. It’s playful. It’s probably my book of the year.
An audacious and powerful debut novel: a second American Civil War, a devastating plague, and one family caught deep in the middle a story that asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself
Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.
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I believe that there are two ways to write a really great dystopian novel. First, you set the book so far into the future that it doesn’t really matter how outlandish the world building or the situation are. Readers will look at it and think “Well, it’s 400 years in the future, I guess that could happen.” Second, you base it in a more recent reality, but change a few key situations or circumstances that logically explain how the world got to this state in the near future.
Unfortunately, this book doesn’t convincingly do either one. The premise of this book is that in 2074 the United States has a second Civil War. Ostensibly, the war is over oil. Oil has been outlawed due to climate change and some states decide that they want to continue using it and so they engage in a Civil War. After the war ends (about 20 years), there was a devastating plague that swept the nation and things have been in a state of crisis ever since. This book is set somewhere in the midst of the war when the main character and her family flee to a refuge camp to escape the war and the plague. I really wanted a better explanation for how the United States gets to a Civil War just 50 years from now. I simply didn’t understand how the conflicts about climate change and oil reach that boiling point so soon.
WARNING: From here on out there will probably be spoilers. But I find this book to be crap that I would recommend to no one, so feel free to continue at your leisure.
So, ostensibly this war is about oil. Except that doesn’t make any sense. Apparently climate change has gotten so bad that most of the American Southwest is just perpetually on fire and unlivable, and half of Louisiana is permanently underwater, and the ice caps no longer exist. I find it hard to believe that in the face of such catastrophic changes to the world that there would be so much climate change skepticism left to start a war over. Currently there’s a lot of nuance to climate change opinions. People who believe that it is entirely man made and we have to do something about it. People who believe it is a natural cycle of the earth that we have little to no influence over. People who believe it’s all made up and not actually happening. People who believe that it is happening, humans are responsible, but we’ll find ways to innovate solutions as times goes on. But despite this diversity of opinions, in 50 years time everyone either boils down into “let’s ban oil to help climate change” or “we want oil, because….we want it.” I find that difficult to imagine. I also find it hard to believe that there would be enough people who feel strongly enough about oil to start a war over it. Apparently there’s three states that started the war, and a few others joined along the way. Texas was part of it at one point, but it’s now part of Mexico for some reason. So they are kind of affiliated, but not really. It’s confusing. Let’s also ignore that even the most catastrophic climate change predictions state that the temperature difference will be about 1 degree in 100 years….
Really, what this author does it just replace slavery with oil and utilize all the same tropes and circumstances of the first civil war and overlaid it into the book. But instead of the Union we have “the blues”, instead of the Confederacy we have “the reds”. It was not well done. The author tells us the war is about oil but it isn’t. It’s about typical Old South tropes of racism, misogyny, and classism. It also doesn’t seem like this is even a world that can survive without oil in the first place. For example, “the blues” have warships that are supposed to enforce the oil ban, they have solar panels. But the solar panels are so inefficient that the ships regularly use their diesel engines to get things done….the author tells us this as an aside, like it’s a normal course of business. That was so weird. You ban oil but still haven’t advanced alternative energy sources enough to actually be useable? What?
Speaking of oil, apparently in this book the “Middle East” and “North Africa” decided to put aside thousands of years of conflict and culture differences to form a new world superpower. Where apparently everything is sunshine and rainbows. And things are so good that everyone in Europe is fleeing to this new land on boats as refugees. No explanation is given for how this happens, nor why. Just that it happened. Some of these countries have been having continued conflicts over religion, race, class, culture, etc for literally thousands of years. But, everything is cool now? In 50 years? That doesn’t seem likely either.
It also isn’t difficult to figure out that the author has overlaid current political differences (and his own political opinions) onto this book. “The reds” are bad people. They like guns, and oil, and hate women and gay people. “The blues” believe in trying to help the world, and love everyone, and want to save the planet. Huh, that sounds very 2016 to me. It’s egotistical and ridiculous. To think that the political stage wouldn’t have advanced past the tropes and stereotypes that the two sides throw at each other in current times is laughable.
There were a lot of other things that were laughable and ridiculous about this book but I just can’t devote more time to it. I only got halfway through and that was already a waste of my time. The next “great American novel” this is not.
A gripping new novel inspired by a real place and events from the author’s family, Trouble Island is the standalone suspense debut from historical mystery writer Sharon Short.
Many miles from anywhere in the middle of Lake Erie, Trouble Island serves as a stop-off for gangsters as they run between America and Canada. The remote isle is also the permanent home to two women: Aurelia Escalante, who serves as a maid to Rosita, lady of the mansion and wife to the notorious prohibition gangster, Eddie McGee. In the freezing winter of 1932, the women anticipate the arrival of Eddie and his strange coterie: his right-hand man, a doctor, a cousin, a famous actor, and a rival gangster who Rosita believes murdered their only son.
Aurelia wants nothing more than to escape Trouble Island, but she is hiding a secret of her own. She is in fact not a maid, but a gangster’s wife in hiding, as she runs from the murder she committed five years ago. Her friend Rosita took her in under this guise, but it has become clear that Rosita wants to keep Aurelia right where she is.
Shortly after the group of criminals, celebrities, and scoundrels arrive, Rosita suddenly disappears. Aurelia plans her getaway, going to the shore to retrieve her box of hidden treasures, but instead finds Rosita’s body in the water. Someone has made sure Aurelia was the one to find her. An ice storm makes unexpected landfall, cutting Trouble Island off from both mainlands, and with more than one murderer among them.
Both a gripping locked room mystery, and a transporting, evocative portrait of a woman in crisis, Trouble Island marks the enthralling standalone suspense debut from Sharon Short, promising to be her breakout novel, inspired by a real island in Lake Erie, and true events from her own rich family history.
Private Rites by Julia Armfield
Expected publication: December 3, 2024 by Flatiron Books
From the award-winning author of Our Wives Under the Sea, a speculative reimagining of King Lear, centering three sisters navigating queer love and loss in a drowning world
It’s been raining for a long time now, so long that the land has reshaped itself and arcane rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father dies. An architect as cruel as he was revered, his death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.
More estranged than ever, the sisters’ lives spin out of control: Irene’s relationship is straining at the seams; Isla’s ex-wife keeps calling; and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.
The Way by Cary Groner
Expected publication: December 3, 2024 by Speigel & Grau
A postapocalyptic road trip and a quest for redemption.
The world has been ravaged by a lethal virus and, with few exceptions, only the young have survived. Cities and infrastructures have been destroyed, and the natural world has reclaimed the landscape in surprising ways, with herds of wild camels roaming the American West and crocodiles that glow neon green lurking in the rivers.
Against this perilous backdrop, Will Collins, the de facto caretaker of a Buddhist monastery in Colorado, receives an urgent and mysterious request: to deliver a potential cure to a scientist in what was once California. So Will sets out, haunted by dreams of the woman he once loved, in a rusted-out pickup pulled by two mules. A menacing thug is on his tail. Armed militias patrol the roads. And the only way he’ll make it is with the help of a clever raven, an opinionated cat, and a tough teenage girl who has learned to survive on her own.
A highly original contribution to the canon of dystopian literature, The Way is a thrilling and imaginative novel, full of warmth, wisdom, and surprises that reflect our world in unsettling, uncanny, and even hopeful ways.
Hanna is no stranger to dark thoughts: as a young child, she tried to murder her own mother. But that was more than sixteen years ago. And extensive therapy—and writing letters to her younger brother—has since curbed those nasty tendencies.
Now twenty-four, Hanna is living an outwardly normal life of domestic content. Married to real estate agent Jacob, she’s also stepmother to his teenage daughter Joelle. They live in a beautiful home, and Hanna loves her career as a phlebotomist—a job perfectly suited to her occasional need to hurt people.
But when Joelle begins to change in ways that don’t suit Hanna’s purposes, her carefully planned existence threatens to come apart. With life slipping out of her control, Hanna reverts to old habits, determined to manipulate the events and people around her. And the only thing worse than a baby sociopath is a fully grown one.
With its dark humor and chillingly seductive protagonist, Dear Hanna is a stand-alone sequel sure to thrill returning and new readers alike.
Why this caught my eye:
The author’s name on this one caught my attention, I knew I recognized her. I read her other book a few years ago, Baby Teeth. If interested, my review on it is HERE. I remember enjoying the way the author writes and being really entertained by the book, even if it had flaws that affected how I rated it. Since Hanna was the only character I found sympathetic in Baby Teeth, I would love to see what Hanna is up to now. Like I said in my review of Baby Teeth, we all know how these books go. You know it, I know it. We’re reading to see how things fall apart.
In a city addled by climate change and populated by intelligent robots called “hums,” May loses her job to artificial intelligence. In a desperate bid to resolve her family’s debt and secure their future for another few months, she becomes a guinea pig in an experiment that alters her face so it cannot be recognized by surveillance.
Seeking some reprieve from her recent hardships and from her family’s addiction to their devices, she splurges on passes that allow them three nights’ respite inside the Botanical Garden: a rare green refuge where forests, streams, and animals flourish. But her insistence that her son, daughter, and husband leave their devices at home proves far more fraught than she anticipated, and the lush beauty of the Botanical Garden is not the balm she hoped it would be. When her children come under threat, May is forced to put her trust in a hum of uncertain motives as she works to restore the life of her family.
Written in taut, urgent prose, Hum is a work of speculative fiction that unflinchingly explores marriage, motherhood, and selfhood in a world compromised by global warming and dizzying technological advancement, a world of both dystopian and utopian possibilities.
Why this caught by eye:
I’m a fan of speculative fiction and science fiction. AI is the threat du jour at the moment and the media is all a flutter about the future of the technology. Admittedly it makes me a little bit nervous too, science fiction has an uncanny habit of predicting the future that I find disturbing. Anyway! This synopsis sounds really intriguing and I can’t wait to get it on my shelf.
A powerful memoir that reckons with mental health as well as the insidious ways men impact the lives of women.
In early 2021, popular artist Anna Marie Tendler checked herself into a psychiatric hospital following a year of crippling anxiety, depression and self-harm. Over two weeks, she underwent myriad psychological tests, participated in numerous therapy sessions, connected with fellow patients and experienced profound breakthroughs, such as when a doctor noted, “There is a you inside that feels invisible to those looking at you from the outside.”
In Men Have Called Her Crazy, Tendler recounts her hospital experience as well as pivotal moments in her life that preceded and followed. As the title suggests, many of these moments are impacted by men: unrequited love in high school; the twenty-eight-year-old she lost her virginity to when she was sixteen; the frustrations and absurdities of dating in her mid-thirties; and her decision to freeze her eggs as all her friends were starting families.
This stunning literary self-portrait examines the unreasonable expectations and pressures women face in the 21st century. Yet overwhelming and despairing as that can feel, Tendler ultimately offers a message hope. Early in her stay in the hospital, she says, “My wish for myself is that one day I’ll reach a place where I can face hardship without trying to destroy myself.” By the end of the book, she fulfills that wish.
Why this caught my eye:
Historically mental heath has been turned into a weapon, used to take advantage of people and render them insignificant. Don’t listen to that person, they’re crazy! Oh, don’t bother so-and-so with that, they’re fragile and not well in the head! While this is true at scale it is particularly true of women. Mental health has often been used as a weapon against troublesome women. So the fact that this is the subject of this memoir was interesting to me. I am a bit familiar with the author’s art and had heard through the media grapevine about her mental health struggles. This seems like it will be an interesting and enlightening memoir.
Antenora: Dante’s ninth circle of hell reserved for traitors to their country.
What really happened to Nora Willet? The religious community of Bethel, Alabama can’t agree on the truth. They always said she was trouble. Later, they said she was possessed. Maybe she lost her mind, killing three people and injuring many others.
In a part confessional, part plea for Nora to come home, Nora’s childhood friend Abigail Barnes tells of another girl’s gruesome eighteenth birthday, of the time Nora may have fully revived a snake, of the intimacy of their private encounters at the lakeside, of Nora’s deliverance ceremony. Where, Abigail wonders, is Nora now?
In this tender and horrific debut, religious dogmatism sniffs out two girls whose innocent affections threaten an entire town and way of life, making one a traitor to a homeland in which only Abigail and Nora know the bittersweet truth. A homeland in which Nora can only say, “There’s a snake speaking to me, Abby-girl.”
The Bog Wife by Kay Chronister
Expected publication: October 1, 2024 by Titan Books
In this atmospheric Appalachian gothic, the Haddesley siblings of West Virginia must unearth long-buried secrets to carve out a future when the supernatural bargain entwining their fate with their ancestral land is suddenly ruptured
Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.
Middle child Wenna, summoned back to the dilapidated family manor just as her marriage is collapsing, believes the Haddesleys must abandon their patrimony. Her siblings are not so easily persuaded. Eldest daughter Eda, de facto head of the household, seeks to salvage the compact by desecrating it. Younger son Percy retreats into the wilderness in a dangerous bid to summon his own bog-wife. And as youngest daughter Nora takes desperate measures to keep her warring siblings together, fledgling patriarch Charlie uncovers a disturbing secret that casts doubt over everything the family has ever believed about itself.
Brimming with aching loss and the universal struggle between honoring family commitments and the drive to strike out on one’s own, The Bog Wife is a haunting invocation of the arcane power of the habits and habitats that bound us.
And the Sky Bled by S. Hati
Expected publication: October 15, 2024 by Bindery Books
In the occupied city of Tejomaya, calor—a magical fossil fuel—is found only in the blood rains that fall from the sky. While a six-month drought has brought Tejomaya to a desperate standstill, rumors of a secret stash of magic propel three unlikely treasure seekers to risk everything.
Tenacious and street-smart Zain Jatav has been forced to steal calor for her slumlord bosses for years. Finding the magic reserve might be her only key to freedom. But she’ll have to contend with Iravan Khotar, a slumlord himself and an ambitious revolutionary hoping to use the same magic to save his people from the mysterious illness devastating the slums—and to bolster a fight against their oppressors. Meanwhile, heiress Anastasia Drakos leads the ruling council of Tejomaya from the safety of a nearby island. With the hidden magic, she could finally take full control of the city and crush the slums beneath her unyielding fist.
As Zain, Iravan, and Anastasia draw closer to finding the treasure, their paths tangle, and not for the first time—they met before, a decade ago, in a fire that destroyed each of their lives in different ways. Their reunion might bring the already-weakened city to its knees.
Exploring the devastating mechanisms of power, this searing climate fantasy breathes life into a crumbling world hovering on the brink of total destruction.
Written Among The Stars 