Synopsis:

A chilling horror novel about a haunting told from the perspective of a young girl whose troubled family is targeted by an entity she calls “Other Mommy,” from the New York Times bestselling author of Bird Box
 
To eight-year-old Bela, her family is her world. There’s Mommy, Daddo, and Grandma Ruth. But there is also Other Mommy, a malevolent entity who asks her every day: “Can I go inside your heart?”  
 
When horrifying incidents around the house signal that Other Mommy is growing tired of asking Bela the same question, over and over . . . Bela understands that unless she says yes, soon her family must pay. 
 
Other Mommy is getting restless, stronger, bolder. Only the bonds of family can keep Bela safe but other incidents show cracks in her parents’ marriage. The safety Bela relies on is on the brink of unraveling.  
 
But Other Mommy needs an answer. 

Rating:

Review:

After two books by Josh Malerman, and two disappointments, I think maybe this author just isn’t for me. When I read Bird Box it had problems that severely impacted how much I enjoyed the book. But the horror aspects of the book were superb, and so I hoped that a different story would incorporate those good elements and be a much better story. But alas, another letdown.

The biggest asset this book had was the horror. The descriptions of Other Mommy were downright terrifying. Legitimately sent a chill up my spine. I also really enjoyed the changing narrative as the parents discover what this entity is capable of. At first they think Other Mommy is tethered to the house, then to their child, then she’s just everywhere. That was great.

There were also a few things that I may not have minded if the rest of the story was as good as the horror and suspense. I don’t mind never finding out what a supernatural entity is. From a logical standpoint it makes sense. If my child was being terrorized by some kind of paranormal entity, I wouldn’t give a single shit what the thing was or the origins of it. The only concern I would have is how to get rid of it and save my child. So, the fact that Malerman doesn’t tell us exactly what Other Mommy is was fine with me. He did something similar with Bird Box. So clearly this is a horror element that he enjoys and he uses it well.

I also don’t inherently mind a child narrator. For obvious reasons a child narrator can be limiting to the narrative. There are things that adults understand and can explain that a child cannot. Some authors use this to their advantage, like with Room by Emma Donoghue. But, in this case, I don’t think Malerman understands children. We are told that Bela is 8 years old. She speaks like a 4 or 5 year old child though. Her short, clipped sentences were really distracting and annoying. I’ve had an 8 year old child, I know how they speak. I’ve seen her speaking with her friends, I know how they interact. I find it hard to believe that an 8 year old wouldn’t be able to remember the word reincarnation, and would mispronounce it repeatedly. Many 8 year olds can spell reincarnation and use it in a sentence. I found it really irritating.

I found it hard to understand why Bela trusted Other Mommy. When we start the story, Other Mommy is already terrorizing her. We get no lead up to how this entity earned her trust. Bela tells us that she trusts and loves Other Mommy, and tells her things that she can’t tell other people. But I have absolutely no idea why because the author didn’t bother to show me that relationship at all. I completely understand why Bela would want another mommy, her parents are absolutely insufferable. The only thing her parents seem to do is placate her, not comfort her concerns and refuse to directly answer her questions and then argue about who’s fault it is that Bela is scared. And they both have highly inappropriate conversations with their 8 year old child.

For example, Bela’s mother has a whole conversation with her about why married people sometimes cheat on each other. An why she’s unhappy in her marriage to her father, without saying it’s about her marriage but still this was a highly inappropriate adult topic that had no business being discussed with a child. And Bela’s father likes to sit on her bed when he thinks she’s asleep an have long winded chats about his existential crisis and other pedantic philosophical topics. That was so bizarre. Who does things like that? Who has long philosophical conversations with their apparently sleeping child? I hated them both so much. This entire book convinced that this author doesn’t have children and probably hasn’t spent any time with children in his life.

The ending was also really confusing. I have no idea what happened. In the end this was a book with a good premise and really poor execution. I think I will pass on the next Malerman book that comes my way. He gets a lot of hype but I seem to be reading entirely different books than everyone else.