The Other Mrs. by Mary Kubica
Published: February 18, 2020 by Park Row
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Synopsis: Propulsive and addictive, The Other Mrs. is the twisty new psychological thriller from Mary Kubica, the New York Times bestselling author of The Good Girl
She tried to run, but she can’t escape the other Mrs….
Sadie and Will Foust have only just moved their family from bustling Chicago to small-town Maine when their neighbor Morgan Baines is found dead in her home. The murder rocks their tiny coastal island, but no one is more shaken than Sadie.
But it’s not just Morgan’s death that has Sadie on edge. And as the eyes of suspicion turn toward the new family in town, Sadie is drawn deeper into the mystery of what really happened that dark and deadly night. But Sadie must be careful, for the more she discovers about Mrs. Baines, the more she begins to realize just how much she has to lose if the truth ever comes to light.
Review: I put down an ultimatum when I started this book. If I didn’t enjoy it, then I am giving up on thrillers for awhile (except ARCs that I have obviously). Maybe it’s me, maybe it’s the current world of thrillers but it’s not doing it for me.
This one started off well, despite the fact that I found our main narrator (Sadie) incredibly dull. She was so boring. And despite her insistence on reminding everyone that she is a doctor, we never actually see her performing duties as a doctor. Mostly she just navel gazes and complains. We learn very quickly that she is damaged and so is the rest of her family. They have fled to Maine after her husband’s sister commits suicide and they adopt another damaged person into the family. Sadie is not a nice person. She’s judgmental, arrogant, and a really bad mother. The only interactions we ever see her have with her children are when she’s telling them to leave her alone or suspecting one of them of doing something awful with no real evidence.
Despite Sadie, the story drew me in. We were also narrated by Camille, the woman who Will had an affair with. Camille is fantastic. I loved her narration and wish we had gotten more of it. We also hear from Mouse, a 6 year old little girl who is dealing with an abusive stepmother and a father who travel frequently for business. The way these three narratives were woven together was actually very good. Even though the ending was terrible, I thought the weaving of the narrations was masterful.
Unfortunately, it became abundantly clear to me what the ending was going to be about halfway through. One of the twists I predicted was accurate. It wasn’t great but it made sense to the story. The second twist was so ridiculous that I actually laughed out loud. I wonder if that’s the landscape of thrillers these days, come up with an outlandish twist that no one could possible guess. I am not a fan. Usually this means that it is absolutely out of character for the people in the book and makes literally no sense with the rest of the plot. That was the case here. Having a standard thriller ending that everyone knows is coming is not a bad thing. Deciding to throw in twists just for the sake of shocking your audience is a bad thing, and I wish authors would stop doing it.