Apeirogon by Colum McCann
Published: February 25, 2020 by Random House
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Synopsis: Colum McCann’s most ambitious work to date, Apeirogon–named for a shape with a countably infinite number of sides–is a tour de force concerning friendship, love, loss, and belonging.
Bassam Aramin is Palestinian. Rami Elhanan is Israeli. They inhabit a world of conflict that colors every aspect of their daily lives, from the roads they are allowed to drive on, to the schools their daughters, Abir and Smadar, each attend, to the checkpoints, both physical and emotional, they must negotiate.
Their worlds shift irreparably after ten-year-old Abir is killed by a rubber bullet and thirteen-year-old Smadar becomes the victim of suicide bombers. When Bassam and Rami learn of each other’s stories, they recognize the loss that connects them and they attempt to use their grief as a weapon for peace.
McCann crafts Apeirogon out of a universe of fictional and nonfictional material. He crosses centuries and continents, stitching together time, art, history, nature, and politics in a tale both heartbreaking and hopeful. Musical, cinematic, muscular, delicate, and soaring, Apeirogon is a novel for our time.
Review: I really wanted to love this book because I was so entranced by the first half of it. In the end though, this book made my brain hurt. It was physically exhausting to read. This is due solely to the style that it was written in. It seems like stream of consciousness more than anything else and when it was done I felt like I needed a very long nap.
The author has written this book as 1001 micro-chapters. Most of them are no longer than a paragraph. The author is referencing The Arabian Nights clearly because he frequently talks about this throughout the book. The idea is that you get little snippets of many different stories and through reading the whole stories of Bassam and Rami are slowly revealed. I liked this as it is a physical manifestation of the title. An apeirogon is a polygon with countably infinite sides (I googled that). Thus we have a book with numbered infinite chapters. I like that play on language and could picture in my head when we following on side of the story and then branched off into another, like creating a shape.
This book is also beautifully written. The prose is almost like a poem. Early on I was a bit confused at the sudden, jarring shift in narrative every few paragraphs but I learned to let it wash over me like a wave. And as we progressed further into the book the stories of the two men became more apparent. The stories were heartbreaking. I cried for Bassam and Rami. I agonized with them over their feelings about “the enemy” and their slow transformation into not seeing one another as “other” but as “friend and fellow father”. I loved it and was immersed in the beauty.
Unfortunately this book was just so long. While I was immersed in the story, I had to make a conscious effort to pull out the bits of the story about Bassam and Rami amongst the other detritus. In between relevant bits of narrative we talked about bird migration, history, ecology, biology, architecture, religion, politics, war, fiction, geography, Biblical studies, scripture, ancient weaving techniques, symbology in women’s clothing over time….honestly I could go on with this list for several weeks without running out of things to list. This audiobook was 15 hours, 20 minutes long. It was physically and mentally exhausting to continue to follow the actual bits of plot and after awhile it just became white noise. I was too exhausted to continue paying any attention at all.
I am saddened that I didn’t like this book more because it’s a wonderful story that is written in a creative, beautiful way.