Synopsis: From the Prize-Winning Author of The Hole, a Slow-Burning Thriller about Unseen Forces that Shape Us and Debts We Accumulate, in Life, in Death.
Winner of several of Korea’s top literary awards, The Law of Lines follows the parallel stories of two young women whose lives are upended by sudden loss. When Se-oh, a recluse still living with her father, returns from an errand to find their house in flames, wrecked by a gas explosion, she is forced back into the world she had tried to escape. The detective investigating the incident tells her that her father caused the explosion to kill himself because of overwhelming debt she knew nothing about, but Se-oh suspects foul play by an aggressive debt collector and sets out on her own investigation, seeking vengeance.
Ki-jeong, a beleaguered high school teacher, receives a phone call that the body of her younger half-sister has just been found. Her sister was a college student she had grown distant from. Though her death, by drowning, is considered a suicide by the police, that doesn’t satisfy Ki-jeong, and she goes to her sister’s university to find out what happened. Her sister’s cell phone reveals a thicket of lies and links to a company that lures students into a virtual pyramid scheme, preying on them and their relationships. One of the contacts in the call log is Se-oh.
Like Hye-young Pyun’s Shirley Jackson Award–winning novel The Hole, an immersive thriller that explores the edges of criminality, the unseen forces in our most intimate lives, and grief and debt.
Review: ***Disclaimer: I received a free copy of this book in exchange for an honest review. Thank you NetGalley and Arcade!***
This book took a little while for me to buy in. The synopsis says this is a slow burn and that is entirely accurate. This is the kind of story that is all about the characters. If the author cannot make you care about their characters then the story is lost. I cared.
This is a story about grief. Both Se-oh and Ki-jeong have been struck with grief. For Soe-oh it is the death of her father. Her grief is enhanced by events from her past that may have contributed to her father’s death in ways she never anticipated. For Ki-jeong it is the death of her estranged sister. She isn’t willing to accept that her sister died and she ultimately knew nothing about her, or her life. This sets the two of them on a quest.
But this book is also about more than that. It’s about poverty and the cycle of poverty that is seen all around the world. Along with the devastation and desperation that comes with it. It affected everyone in this story but all of the characters were too far into their own cycles of grief and poverty to see it, let alone offer any compassion or empathy to anyone else.
I enjoyed this story very much. It was highly literary and an excellent character piece. I do think it is being marketing poorly as a mystery or a thriller. It is neither of those things. It’s a story about two women and the unpredictable ways that their lives intersect while searching for their respective answers.